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Polyphony

by Richard Galbraith

supported by
Ian Joyce
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Ian Joyce This is quite frankly stunning. Richard coaxes so much life and emotion out of his synthesizers it is scarcely believable. The performances are flawless, the dynamics and phrasing exceptional, and the overall experience utterly awe inspiring. Bravo! Favorite track: Alma redemptoris mater (O. de Lassus).
ralf olaf wenzel
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ralf olaf wenzel it's simply fantastic - his sensitivity and his courage.........congratulations Favorite track: Miserere mei, Deus (W. Byrd).
George Farnell (Matt)
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George Farnell (Matt) I love your work! Thank you :-)
David Hopper
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David Hopper Beautiful renditions of renaissance early music. Haunting and enchanting if that's possible.
percussion boy
percussion boy thumbnail
percussion boy This is so beautiful. I can imagine people who don’t think they like electronic music, or don’t think they like 16th century music, liking this album. The dynamics are especially great—how the music swells and descends ... really musical...
dlap
dlap thumbnail
dlap Great sound great works!
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about

This is a collection of polyphonic vocal music from the 16th century, recorded using a modular analog synthesizer.

credits

released December 11, 2012

Modular synthesizer: Richard Galbraith
Violin (Nesciens mater virgo virum, O salutaris hostia) and keyboard (Gloria): Rene Romig

Many thanks to: Roger Arrick, Synthesizers.com; Bryan Benting; John Burdick, Grove Audio; Phil Petschke, MegaOhm Audio; Paul Schreiber, MOTM/Synthesis Technology; Doug Slocum, Synthetic Sound Labs.

Additional thanks to: John L. Rice, David Ryle

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Richard Galbraith Kansas City, Missouri

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